![]() ![]() It absorbs the liveliness of the users and the texture of the exhibits, creating a framed landscape that changes every seconds. The Mirror is a 26 meter long and 11 m tall angled reflective surface that acts as a viewing device to create a staged overview of the 3500 m2 exhibition and movement of viewers as a whole. The Bleacher is a 360-degree seating that is 2.25 meter tall and with a diameter of 9 meter it is a mountain that holds audiences to engage with events and the Forum in all directions, its tall presence creates an equilibrium with the height of the atrium space. This will be the core of the exhibition, which will be entirely open to the public, with a multiple personalities of a gallery, an archive, a café, a workshops etc – it is a open blur between the making and the exhibiting of work.ĬOLLECTIVE created a series of “ Elements of Ecology”, which consists of various abstracted moments of appropriated nature resonating the theme of the exhibition. ![]() New points of contact between spheres of interdisciplinary knowledge are organized through three zones: Field, Sequence, and Rooms.Ī 16 meter tall atrium that transverses the museum acting as a centralized connective component for the exhibition space. The role of the museum is expanded from its traditional model of static displays towards an evolved interactive and open space for public discussions and workshops. A public forum, at the core of the space, is designed as a non-ticketed gathering place for all. With the vast amount of content generated by the Researchers through the course of a year, we hope to find new synergies that enable the flow of information from one discipline to another – yet how can we attempt to bridge the gap between specialized vocabulary of skilled practitioners in sciences, the arts and the general interests of the public audience?ĬOLLECTIVE’s intervention proposes a new type of museum experience through the sequencing of the artworks and an immersive exhibition design that offers new contextual narratives. Yongwoo Lee and Hans Ulrich Obrist, the program brings together artists and researchers to propose approaches and solutions to the urgent problem of environmental and social sustainability. The Shanghai Project is an ever evolving entity, with the launch of Chapter 1 in September 2016 with Sou Fujimoto’s Envision Pavilion cater to hosting public program Chapter 2 takes on the form of an exhibition as a central component inside the Himalayas Museum and beyond, with new chapters in the coming years under new formats.Ĭurated by Dr.
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